MusicBrainz recording
In My Defence
Freddie Mercury
3:54
1986 album version
00ac11a1-a99d-40bb-a640-68f6c8f19a70
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
418
linking them to it
Fingerprints
23
distinct audio files
Duration
3:43–4:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f021e1f5-96c5-4699-a36d-c33b71b08647
Also linked to
In My Defence (Ron Nevison remix) by Freddie Mercury, In My Defence by Freddie Mercury and
|
7 | 3:48–3:54 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
f6663562-001b-486a-b7e4-7d6eb6c0224e
Also linked to
In My Defence (2000 remix) by Freddie Mercury, In My Defence by Freddie Mercury
|
3 | 3:51–3:55 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
77f39503-1f0d-4267-a694-8c773fcd8f84
Also linked to
In My Defence (Ron Nevison remix) by Freddie Mercury, Exercises in Free Love by Freddie Mercury
|
2 | 3:58 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 2f63d3e0-c59b-48a4-a7df-0a9cae3be429 | 1 | 3:52 | |||||||||||||||||||||||
| E |
1f7a8d11-6b7b-4164-8d9b-e386ca4e3ce3
Also linked to
In My Head by 12 Stones, In My Defence by Freddie Mercury
|
3 | 3:53–3:54 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
8eb4c91e-68f1-46cc-ac11-da44c9f88de9
Also linked to
In My Defence by Freddie Mercury
|
2 | 3:57 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
983d1c41-fe31-42e6-b308-0179e919aba2
Also linked to
In My Defence (Ron Nevison remix) by Freddie Mercury, In My Defense by Freddie Mercury and
|
2 | 3:53–3:57 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 76b3f8b8-7479-419b-997b-1a08be031bae | 1 | 3:43 | |||||||||||||||||||||||
| I | e9b1cd6e-7dd2-45d2-987f-9e4d885ffe63 | 1 | 4:22 | |||||||||||||||||||||||
| J | 7e20c35e-240c-481e-9bdb-521b67ffa99a | 1 | 3:53 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.57 | 0.47 | 0.68 | 0.00 | 0.00 | 0.86 | 0.00 | 0.88 | 0.56 |
| B | 0.57 | — | 0.00 | 0.50 | 0.00 | 0.00 | 0.58 | 0.00 | 0.58 | 0.53 |
| C | 0.47 | 0.00 | — | 0.00 | 0.00 | 0.38 | 0.47 | 0.00 | 0.47 | 0.00 |
| D | 0.68 | 0.50 | 0.00 | — | 0.00 | 0.00 | 0.65 | 0.00 | 0.67 | 0.52 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.38 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.86 | 0.58 | 0.47 | 0.65 | 0.00 | 0.00 | — | 0.00 | 0.93 | 0.58 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.88 | 0.58 | 0.47 | 0.67 | 0.00 | 0.00 | 0.93 | 0.00 | — | 0.52 |
| J | 0.56 | 0.53 | 0.00 | 0.52 | 0.00 | 0.00 | 0.58 | 0.00 | 0.52 | — |