MusicBrainz recording

A Nightingale Sang in Berkeley Square

Glenn Miller and His Orchestra 3:40
00804a9d-1c7c-4cae-9184-67b3fa966cdc View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
608
linking them to it
Fingerprints
84
distinct audio files
Duration
3:18–3:42
range of submitted files

AcoustIDs

Most submitted first, 1 disabled
Show 1 disabled link
AcoustID Most common fingerprint Fingerprints Length Sources
A 6653bf1d-5b32-41d2-bdb4-618e865012d4
Also linked to A Nightingale Sang in Berkeley Square by Glenn Miller, A Nightingale Sang in Berkeley Square by Glenn Miller and
2 3:42
426
B 07a55a8b-2505-4035-8875-5ef70a45fcf0
Also linked to A Nightingale Sang in Berkeley Square by The Glenn Miller Orchestra, A Nightingale Sang in Berkeley Square by Glenn Miller and
2 3:36–3:40
79
C bff53ef0-3266-47cc-a0f0-1301925983df
Also linked to A Nightingale Sang in Berkeley Square by Glenn Miller & His Orchestra, A Nightingale Sang in Berkeley Square by Glenn Miller and
41 3:36–3:42
48
D 5ce66c9f-531a-40a3-9427-c92735aa2256
Also linked to A Nightingale Sang in Berkeley Square by Glenn Miller and His Orchestra, A Nightingale Sang in Berkeley Square by Glenn Miller and His Orchestra and
6 3:39–3:42
46
E 326e35a5-c882-49b5-9c90-f1f253b8f698
Also linked to Prelude to a Kiss by Benny Carter and His Orchestra
5 3:18–3:19
3
F c989fd56-7841-4c47-bdaa-e3d23af3e663
Also linked to In the Mood by Glenn Miller, In the Mood by Glenn Miller and
21 3:34–3:39
2
G 43a2bf49-66f9-4813-8525-afbd6b25add7 1 3:32
1
H b9f4edc1-426f-4a16-8063-2ad4e0c77c5f 1 3:42
1
I 67eb0871-8c92-4928-9787-8f189ad350b9
Also linked to A Nightingale Sang in Berkeley Square by Glenn Miller, A Nightingale Sang in Berkeley Square by Glenn Miller and
3 3:35–3:38
1
J 49803b2b-a476-4d65-afbf-eea532cc1216
Also linked to A Nightingale Sang in Berkeley Square by Glenn Miller & Ray Eberle, A Nightingale Sang in Berkeley Square by Glenn Miller and
2 3:36–3:39
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.