open source audio identification
MusicBrainz recording
Take My Breath Away
Berlin
4:19
re‐recorded version
f6c8ee2e-e6f7-472e-afd1-c8a023f08367
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
107
linking them to it
Fingerprints
73
distinct audio files
Duration
4:11–17:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
44e8a3ef-36f8-4a97-8d06-a2ed9bf47ed4
Also linked to
Take My Breath Away by Berlin, Take My Breath Away by Berlin and
|
18 | 4:18–4:22 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 9963e4f3-494d-494d-baf6-53195609b9c4 | 1 | 4:28 | |||||||||||||||||||||||||||||||||
| C |
02c66f87-92a3-4222-a437-165b0c7ddeb0
Also linked to
Take My Breath Away by Berlin, House Of Mystic Lights by C.C.Catch and
|
30 | 4:11–4:18 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 17153f2a-5657-49ef-b702-80d212ba2b47 | 1 | 5:59 | |||||||||||||||||||||||||||||||||
| E |
0afb6fe2-d2b0-47f1-b214-76c481cf2035
Also linked to
My Toot Toot by Denise LaSalle, My Toot Toot by Denise LaSalle and
|
7 | 4:18–4:22 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 966319a0-07f4-46e2-a985-fc7161b6e90e | 1 | 4:27 | |||||||||||||||||||||||||||||||||
| G | 914ce9c7-9579-466e-9dea-62708ffabbf2 | 1 | 17:00 | |||||||||||||||||||||||||||||||||
| H | 0e90b346-f93e-4be7-8c3a-3aa8dd2c9992 | 2 | 4:18–4:20 | |||||||||||||||||||||||||||||||||
| I |
48405e7e-e6d0-40a8-8d9e-a9efd8afeedc
Also linked to
Berlin by Ten Robbinson
|
10 | 4:19–4:26 | |||||||||||||||||||||||||||||||||
|
Recordings linked to I
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| J |
c2ea3f72-d2b8-4c3f-be23-c81600529ec1
Also linked to
Take My Breath Away by Berlin
|
2 | 4:14–4:15 | |||||||||||||||||||||||||||||||||
|
Recordings linked to J
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.98 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.98 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.87 | 0.00 | 0.86 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.87 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.86 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.86 | 0.00 | 0.00 | 0.00 | 0.86 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |