open source audio identification
MusicBrainz recording
Anyone
Roxette
4:32
e6c77575-1df2-4c2c-bb86-329c62399330
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,210
linking them to it
Fingerprints
31
distinct audio files
Duration
4:15–5:47
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
49a8ce16-e53d-40e6-aa0c-e4524badfb7a
Also linked to
Alguien by Roxette, Come Back (Before You Leave) by Roxette and
|
9 | 4:31–4:38 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | e99e6743-ecd6-485b-9fc0-78c3f756f290 | 4 | 4:28–4:34 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
0083a770-9aee-4d22-8185-6a8b2a486f81
Also linked to
Anyone by Roxette
|
2 | 4:45–4:47 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 1a509db7-7b50-423c-9281-72d0a06ed57c | 1 | 5:47 | ||||||||||||||||||||||||||||
| E | 499cdcf4-dbfa-4f5d-a8c9-bfaf6c2e3d23 | 1 | 4:41 | ||||||||||||||||||||||||||||
| F | daa6ff35-d0e7-4eb9-931d-b07c7843fc3c | 1 | 4:31 | ||||||||||||||||||||||||||||
| G | b8f8df17-8061-47a1-bf72-2485a8ef35d6 | 2 | 4:31–4:33 | ||||||||||||||||||||||||||||
| H | da653847-c0eb-4e6b-936c-a174e889c5f0 | 2 | 4:48–4:53 | ||||||||||||||||||||||||||||
| I | 07988343-4de5-45ac-99e0-36cf95166125 | 1 | 4:31 | ||||||||||||||||||||||||||||
| J |
8228d2ba-0482-4702-821a-228a840c9b4b
Also linked to
Alguien by Roxette, No sé si es amor by Roxette
|
3 | 4:29–4:35 | ||||||||||||||||||||||||||||
|
Recordings linked to J
|
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| K | c3fd25ab-5271-4041-91a4-bd1e2a9ebc48 | 4 | 4:21–4:26 | ||||||||||||||||||||||||||||
| L | fc8ed334-8845-453a-b2dd-65079724bbf0 | 1 | 4:15 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.96 | 0.00 | 0.87 | 0.97 | 0.62 | 0.00 | 0.99 | 0.00 | 0.58 | 0.87 | 0.64 |
| B | 0.96 | — | 0.00 | 0.88 | 0.97 | 0.60 | 0.00 | 0.96 | 0.00 | 0.57 | 0.90 | 0.64 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.87 | 0.88 | 0.00 | — | 0.85 | 0.65 | 0.00 | 0.87 | 0.00 | 0.60 | 0.97 | 0.59 |
| E | 0.97 | 0.97 | 0.00 | 0.85 | — | 0.61 | 0.00 | 0.97 | 0.00 | 0.58 | 0.88 | 0.64 |
| F | 0.62 | 0.60 | 0.00 | 0.65 | 0.61 | — | 0.00 | 0.62 | 0.00 | 0.42 | 0.63 | 0.41 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.99 | 0.96 | 0.00 | 0.87 | 0.97 | 0.62 | 0.00 | — | 0.00 | 0.58 | 0.87 | 0.63 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.58 | 0.57 | 0.00 | 0.60 | 0.58 | 0.42 | 0.00 | 0.58 | 0.00 | — | 0.59 | 0.51 |
| K | 0.87 | 0.90 | 0.00 | 0.97 | 0.88 | 0.63 | 0.00 | 0.87 | 0.00 | 0.59 | — | 0.63 |
| L | 0.64 | 0.64 | 0.00 | 0.59 | 0.64 | 0.41 | 0.00 | 0.63 | 0.00 | 0.51 | 0.63 | — |