MusicBrainz recording
Poetry in Motion
Johnny Tillotson
2:32
dc9230bf-84f6-4a0d-b7e2-d4f04e5a380d
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
11
linking them to it
Fingerprints
112
distinct audio files
Duration
2:22–2:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
af88f698-8bec-4b09-b2a5-8dc3256749ef
Also linked to
Poetry in Motion by Johnny Tillotson, Poetry in Motion by Johnny Tillotson and
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16 | 2:27–2:34 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
d1922663-24ab-4763-bf6f-986ed17d8894
Also linked to
Poetry in Motion by Johnny Tillotson, Poetry in Motion by Johnny Tillotson and
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11 | 2:23–2:30 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
43de5d4a-abcc-40f2-85a2-23e8c386b155
Also linked to
I’ve Got a Woman by Ray Charles, Poetry in Motion by Johnny Tillotson and
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10 | 2:33–2:36 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
2c2b7fe2-4970-4238-be43-5445f3f51f23
Also linked to
Poetry in Motion by Johnny Tillotson, Poetry in Motion by Johnny Tillotson and
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4 | 2:22–2:28 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
208afbe1-1fba-4e71-8760-c9b4889e77b0
Also linked to
Poetry in Motion by Johnny Tillotson, Poetry in Motion by Johnny Tillotson and
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35 | 2:27–2:34 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
bc64bb4e-aece-42ef-8bf9-eb998e5b9ca1
Also linked to
Poetry in Motion by Johnny Tillotson, Poetry in Motion by Johnny Tillotson and
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36 | 2:27–2:35 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.