open source audio identification
MusicBrainz recording
If I Were a Carpenter
Tim Hardin
2:43
d0c017b3-e2e6-42e1-87e7-e218e5a74d9a
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
356
linking them to it
Fingerprints
89
distinct audio files
Duration
2:32–2:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8f836a0c-241c-4240-84df-54b6aec9d144
Also linked to
Morning Glory by Tim Buckley, If I Were a Carpenter by Tim Hardin and
|
25 | 2:38–2:45 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
dc550240-1cc1-414c-9849-65bcfc3099a2
Also linked to
Morning Glory by Tim Buckley
|
3 | 2:41–2:46 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 8a08cc56-b81f-4e94-af16-92d9e51b9163 | 1 | 2:44 | ||||||||||||||||||||||||||||
| D |
42575fb1-7169-40a2-8bdc-4d8c4735aeb0
Also linked to
If I Were a Carpenter by Tim Hardin, White Rabbit by Jefferson Airplane and
|
3 | 2:54–2:59 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
0a40b57a-2082-4f04-9e3c-6334a786e3b7
Also linked to
If I Were a Carpenter by Tim Hardin, If I Were a Carpenter by Tim Hardin and
|
3 | 2:47–2:53 | ||||||||||||||||||||||||||||
|
Recordings linked to E
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| F |
33a2b6af-3d3f-4253-89a7-00161fc30de3
Also linked to
I Can Hear Music by The Beach Boys, I Can Hear Music by The Beach Boys and
|
36 | 2:32–2:39 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 34c6d6a8-3c27-4269-8075-f1789b86509e | 1 | 2:40 | ||||||||||||||||||||||||||||
| H | a6a2684f-da05-4852-bc7f-9b71d8281a6f | 3 | 2:36–2:42 | ||||||||||||||||||||||||||||
| I |
d49ea767-c298-4dcf-b57d-98531950488f
Also linked to
I Was Made to Love Her by Stevie Wonder, I Was Made to Love Her by Stevie Wonder
|
14 | 2:34–2:38 | ||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.94 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.87 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.87 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |