open source audio identification
MusicBrainz recording
Sara (edit)
Fleetwood Mac
4:36
908bac87-e806-4c5c-9836-720e458f3395
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,167
linking them to it
Fingerprints
74
distinct audio files
Duration
4:25–6:32
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d924d7d1-b37b-4426-8ac9-ef55c96123e9
Also linked to
Sara (single version) by Fleetwood Mac, Sara by Fleetwood Mac and
|
17 | 4:33–4:40 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
73246ee8-90c4-4f23-b798-44662c4fac00
Also linked to
Sara by Fleetwood Mac
|
3 | 4:32–4:35 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 5cee5093-150b-471a-84ba-ba8f639e5b62 | 30 | 6:23–6:30 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D | 59237b00-0c2f-461a-9845-7e4b4d864b55 | 2 | 4:41–4:42 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | 19829c88-66ae-461a-a361-4e4559838bf0 | 14 | 6:25–6:32 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 67a067a0-5730-4c0f-b489-47101c42f555 | 1 | 4:40 | |||||||||||||||||||||||||||||||||||||||||||
| G | cf29e02d-8954-4cd4-a0fa-68261559e1ee | 2 | 4:40 | |||||||||||||||||||||||||||||||||||||||||||
| H | e8f4e092-d6b5-4c38-af6c-4c9240815af6 | 1 | 4:44 | |||||||||||||||||||||||||||||||||||||||||||
| I | 2aff2b7c-1ed0-4bf0-90a4-92be49b111bb | 1 | 4:40 | |||||||||||||||||||||||||||||||||||||||||||
| J | 0fbddc19-0246-4494-b8f4-9b5c88a6e0db | 2 | 4:25–4:26 | |||||||||||||||||||||||||||||||||||||||||||
| K | 77e10367-aefb-425f-bcd7-131467fdf026 | 1 | 4:35 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.91 | 0.83 | 0.92 | 0.84 | 0.87 | 0.00 | 0.48 | 0.00 | 0.67 | 0.00 |
| B | 0.91 | — | 0.89 | 0.84 | 0.83 | 0.85 | 0.00 | 0.49 | 0.00 | 0.71 | 0.00 |
| C | 0.83 | 0.89 | — | 0.84 | 0.85 | 0.86 | 0.00 | 0.46 | 0.00 | 0.68 | 0.00 |
| D | 0.92 | 0.84 | 0.84 | — | 0.83 | 0.91 | 0.00 | 0.47 | 0.00 | 0.72 | 0.00 |
| E | 0.84 | 0.83 | 0.85 | 0.83 | — | 0.83 | 0.00 | 0.46 | 0.00 | 0.64 | 0.00 |
| F | 0.87 | 0.85 | 0.86 | 0.91 | 0.83 | — | 0.00 | 0.48 | 0.00 | 0.72 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.48 | 0.49 | 0.46 | 0.47 | 0.46 | 0.48 | 0.00 | — | 0.00 | 0.58 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.67 | 0.71 | 0.68 | 0.72 | 0.64 | 0.72 | 0.00 | 0.58 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |