open source audio identification
MusicBrainz recording
Satisfied
Richard Marx
4:14
8fc98c46-fa7f-445b-a01f-de5cf157407d
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,265
linking them to it
Fingerprints
30
distinct audio files
Duration
3:54–6:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 581e8ab1-112b-4715-9ab7-0f2a4a8d346b | 11 | 4:10–4:17 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 412dff76-060d-4470-ab40-7f94de0f1896 | 1 | 4:07 | |||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
e32a8478-25cb-4b5c-9a9b-065602806b79
Also linked to
Children of the Night by Richard Marx, Children of the Night by Richard Marx and
|
1 | 4:12 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | 553b2298-924a-4dad-83a8-576803c03e8b | 1 | 4:14 | |||||||||||||||||||||||||||||||||
| E |
40a60ba2-94d4-406f-b54f-6b125166ddd1
Also linked to
Until I Find You Again by Richard Marx, Until I Find You Again by Richard Marx and
|
5 | 4:24–4:31 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 91062035-1a83-4d50-b232-62a068dea5a9 | 2 | 4:13–4:15 | |||||||||||||||||||||||||||||||||
| G | b5c4178d-cd89-4bdf-a547-766ed56ec5f0 | 1 | 4:16 | |||||||||||||||||||||||||||||||||
| H | 9f00f970-f581-4a2b-b96d-7b4986ffc877 | 1 | 4:14 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I |
c2531f4b-fa94-4f29-828b-85b0e6eb4b4d
Also linked to
Satisfied by Richard Marx
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4 | 3:54–3:59 | |||||||||||||||||||||||||||||||||
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Recordings linked to I
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| J | 80c01f06-25d6-4b8c-9840-ba29433ea3de | 1 | 4:11 | |||||||||||||||||||||||||||||||||
| K | 429d2ef6-9b8f-4eae-b869-717c53399dfd | 1 | 4:13 | |||||||||||||||||||||||||||||||||
| L | b617f1cc-8606-4847-9cde-fdc7a66a1f8b | 1 | 6:22 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.98 | 0.57 | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 | 0.77 | 0.54 | 0.00 | 0.98 |
| B | 0.98 | — | 0.57 | 0.61 | 0.00 | 0.00 | 0.00 | 0.00 | 0.77 | 0.57 | 0.00 | 0.97 |
| C | 0.57 | 0.57 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.51 | 0.68 | 0.00 | 0.57 |
| D | 0.60 | 0.61 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.61 | 0.37 | 0.00 | 0.60 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.62 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.62 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.77 | 0.77 | 0.51 | 0.61 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.46 | 0.00 | 0.77 |
| J | 0.54 | 0.57 | 0.68 | 0.37 | 0.00 | 0.00 | 0.00 | 0.00 | 0.46 | — | 0.00 | 0.54 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.98 | 0.97 | 0.57 | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 | 0.77 | 0.54 | 0.00 | — |