open source audio identification
MusicBrainz recording
Lady Stardust
David Bowie
3:20
reverse stereo
85f8a15c-cc69-4e96-be5b-dfffc2a22e99
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
188
linking them to it
Fingerprints
60
distinct audio files
Duration
3:11–3:35
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b3581def-d22f-48bd-8753-584ccac8fe22
Also linked to
Lady Stardust by David Bowie, Lady Stardust by David Bowie and
|
34 | 3:19–3:23 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
e83518f0-09fe-4ff3-8ad8-346a69bd4fb0
Also linked to
Lady Stardust by David Bowie, Lady Stardust by David Bowie
|
10 | 3:16–3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
3c44512d-e073-465c-81c6-9c59127b3305
Also linked to
Lady Stardust by David Bowie, Lady Stardust by David Bowie
|
4 | 3:21–3:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 4f3e1b96-20f3-4315-bd20-029c721eace6 | 1 | 3:21 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
cf06e549-6e2c-4037-b72e-802a0acff55e
Also linked to
Lady Stardust (original demo) by David Bowie, Lady Stardust (demo) by David Bowie and
|
7 | 3:33–3:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
5867da00-2469-4b7d-9394-492af2ba512c
Also linked to
Lady Stardust by David Bowie
|
3 | 3:11–3:13 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | ef55426e-3480-472e-b5ab-b3437b32c4c2 | 1 | 3:24 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.