open source audio identification
MusicBrainz recording
Mailman, Bring Me No More Blues
The Beatles
1:51
Apple Studios Sessions
6cfdd4ae-d2e0-425b-8cd4-c3ef632777d3
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
45
linking them to it
Fingerprints
35
distinct audio files
Duration
1:50–1:57
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
04b5d2f3-1175-432a-a875-7ea07f92d86c
Also linked to
Mailman, Bring Me No More Blues by The Beatles
|
4 | 1:52–1:53 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
051e082b-6183-4815-891c-6c9ba50bbf7f
Also linked to
Mailman, Bring Me No More Blues (jam) by The Beatles, Mailman, Bring Me No More Blues by The Beatles and
|
20 | 1:52–1:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
0111b6c1-090a-493f-a110-ce476941bd12
Also linked to
Mailman, Bring Me No More Blues by The Beatles
|
1 | 1:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
42c4dda7-c209-4ddf-ad9d-934dc931a0d8
Also linked to
Mailman, Bring Me No More Blues (1969-01) by The Beatles
|
1 | 1:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | cfc8713d-ce87-49f5-89af-5abed541f4a4 | 1 | 1:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F |
dbc8fbf1-6da4-45f8-ae6f-7a97fe44fa4f
Also linked to
Mailman, Bring Me No More Blues (1969-01) by The Beatles, Mailman, Bring Me No More Blues by The Beatles and
|
8 | 1:50–1:53 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.