open source audio identification
MusicBrainz recording
Everything
Alanis Morissette
3:33
5ba2bb14-57f1-4305-bc23-499a23ea3db1
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
238
linking them to it
Fingerprints
32
distinct audio files
Duration
3:11–4:16
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
598ba6f2-ee2e-4d92-a9a2-9cb2b2594330
Also linked to
Everything (clean edit) by Alanis Morissette, Perfect by Alanis Morissette
|
14 | 3:26–3:32 | |||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||
| B | b2e05a7e-e8ff-4fef-9898-3aea7a8339be | 5 | 3:33–3:37 | |||||||||||||||||||||||
| C |
3350ee7b-a36b-4795-bb65-8ac75ea146c3
Also linked to
Everything I Own by Jude, Everything I Own by Ken Boothe and
|
2 | 3:57–4:00 | |||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||
| D | b40ffb16-8e0b-4ac4-a03d-f7b3aca0d57e | 1 | 3:11 | |||||||||||||||||||||||
| E |
5d9abfea-7b8c-4e08-8e99-6e769796bbcf
Also linked to
Everything by Alanis Morissette, Doth I Protest Too Much by Alanis Morissette and
|
2 | 4:05 | |||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||
| F | 402adc67-3759-46bd-992a-055737196111 | 1 | 3:23 | |||||||||||||||||||||||
| G | 90683562-944d-4970-acda-27389e4d8e1a | 1 | 4:16 | |||||||||||||||||||||||
| H | d4806638-1ce3-4c0a-ae2d-a5769c9b5de9 | 1 | 3:49 | |||||||||||||||||||||||
| I | e4497471-b7cb-4041-a556-213f0a7ff4a0 | 2 | 3:23–3:28 | |||||||||||||||||||||||
| J | 8239095e-4bdb-43aa-ae94-5e9994de4ed3 | 1 | 3:33 | |||||||||||||||||||||||
| K | 872e7df4-89d5-4ea0-8264-7ca99b6bd04a | 1 | 3:32 | |||||||||||||||||||||||
| L | 31031f6f-bc7b-4e0c-be9c-893e6777fe07 | 1 | 3:33 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.88 | 0.00 | 0.57 | 0.00 | 0.61 | 0.00 | 0.77 | 0.51 | 0.46 | 0.00 | 0.21 |
| B | 0.88 | — | 0.00 | 0.54 | 0.00 | 0.56 | 0.00 | 0.83 | 0.62 | 0.25 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.57 | 0.54 | 0.00 | — | 0.00 | 0.67 | 0.00 | 0.61 | 0.85 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 1.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.61 | 0.56 | 0.00 | 0.67 | 0.00 | — | 0.00 | 0.63 | 0.61 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 1.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.77 | 0.83 | 0.00 | 0.61 | 0.00 | 0.63 | 0.00 | — | 0.56 | 0.26 | 0.00 | 0.00 |
| I | 0.51 | 0.62 | 0.00 | 0.85 | 0.00 | 0.61 | 0.00 | 0.56 | — | 0.00 | 0.00 | 0.00 |
| J | 0.46 | 0.25 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.26 | 0.00 | — | 0.09 | 0.65 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.09 | — | 0.00 |
| L | 0.21 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.65 | 0.00 | — |