MusicBrainz recording
Without Love (There Is Nothing)
Clyde McPhatter & The Drifters
2:58
497b7fdc-ed4e-4282-ae4c-5f4333610f48
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
264
linking them to it
Fingerprints
71
distinct audio files
Duration
2:52–3:18
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3b7610b5-43a4-456e-98b6-34180896ea83
Also linked to
Without Love by Clyde McPhatter, Without Love (There Is Nothing) by Clyde McPhatter
|
9 | 2:54–2:58 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
375e5eed-a4b1-40e1-9f76-47ffde2ad46e
Also linked to
Without Love (There Is Nothing) by Clyde McPhatter
|
7 | 2:55–3:00 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C | 1aa5dcef-fec9-4a28-8e84-8fa81cf18d83 | 4 | 2:55–2:57 | |||||||||||||||||||||||||||||||||||||||||||
| D | f101ba79-6ba2-4eca-8a75-f136b7655d53 | 1 | 3:03 | |||||||||||||||||||||||||||||||||||||||||||
| E |
ff2f35bd-4d40-4157-9908-de1ecc9d64cf
Also linked to
Love Is Strange by Mickey & Sylvia, Love Is Strange (Master) by Mickey & Sylvia and
|
21 | 2:54–3:00 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||
| F | 448a5f01-0bee-4023-8cad-44f6de7bfeb0 | 1 | 3:18 | |||||||||||||||||||||||||||||||||||||||||||
| G | 815ba88c-aa64-4990-bf9c-757e5f498a9f | 26 | 3:03–3:09 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | b767551f-b289-4659-b567-cb20dc58d8e1 | 1 | 2:52 | |||||||||||||||||||||||||||||||||||||||||||
| I | b35c4a97-3fdd-4bf5-9cf0-3cfc0168ea3b | 1 | 3:06 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.62 | 0.42 | 0.64 | 0.00 | 0.86 | 0.00 | 0.00 | 0.00 |
| B | 0.62 | — | 0.00 | 0.89 | 0.00 | 0.66 | 0.00 | 0.00 | 0.00 |
| C | 0.42 | 0.00 | — | 0.00 | 0.00 | 0.44 | 0.00 | 0.37 | 0.00 |
| D | 0.64 | 0.89 | 0.00 | — | 0.00 | 0.64 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.86 | 0.66 | 0.44 | 0.64 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.37 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |