MusicBrainz recording
Take a Look
Aretha Franklin
2:42
2f92bfd9-605b-4fbf-a871-3a0a8a89352d
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
281
linking them to it
Fingerprints
76
distinct audio files
Duration
2:39–2:55
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b912cf81-966f-4540-9c4b-8bd4b53daabe
Also linked to
Take a Look (overdubbed version) by Aretha Franklin, Take a Look by Aretha Franklin and
|
14 | 2:39–2:44 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
dc0f06d1-bfe3-457e-b443-b37e02ffc5a2
Also linked to
Take a Look (overdubbed version) by Aretha Franklin
|
2 | 2:48–2:55 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | d38934dc-87f4-48b3-b85b-0cfa17c0bba7 | 1 | 2:50 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | c5840d66-8fe7-44cd-8d3e-dc2c800db2cc | 1 | 2:40 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
173dae04-7cc5-4e9b-829b-56a94662c154
Also linked to
Today I Sing the Blues by Aretha Franklin with The Ray Bryant Combo, Today I Sing the Blues by Aretha Franklin and
|
33 | 2:43–2:49 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
7933986d-2336-49a5-bc9c-998a72fd36df
Also linked to
Walk On By by Aretha Franklin, Walk On By by Aretha Franklin and
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24 | 2:44–2:51 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | 0c3ca54d-5b1e-4715-8c1c-ad4bd929a55e | 1 | 2:54 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.