MusicBrainz recording

A Whiter Shade of Pale

Procol Harum
20cfd5ee-39b6-4b2e-8cfa-16ba01feaa5e View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
77
linking them to it
Fingerprints
253
distinct audio files
Duration
3:07–15:57
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 9625b357-47e1-4081-ac73-e1fb6d47b47c
Also linked to A Whiter Shade of Pale by Procol Harum, A Whiter Shade of Pale by Procol Harum
2 4:07
47
B 314eb60b-a431-43ff-99d3-7dd719aaf362
Also linked to A Whiter Shade of Pale by Procol Harum, A Whiter Shade of Pale by Procol Harum and
37 3:58–4:05
14
C 0f09a18d-3341-4d72-9205-9425cf065e9e
Also linked to A Whiter Shade of Pale by Procol Harum, A Whiter Shade of Pale by Procol Harum and
33 4:04–4:11
3
D e3dfebdb-93ba-4af0-8bcb-163b12877f48
Also linked to A Whiter Shade of Pale by Procol Harum, Whiter Shade of Pale by Procol Harum and
1 3:57
3
E 41c31b90-30f7-4ee8-9899-c6bbdcc3cef0
Also linked to A Whiter Shade of Pale by Procol Harum, A Whiter Shade of Pale by Procol Harum and
22 4:03–4:11
2
F 7b4eb1fb-5bdc-4409-af2e-65029c004946
Also linked to A Whiter Shade of Pale by Procol Harum, Whiter Shade of Pale by Procol Harum and
50 3:56–4:03
2
G c65bc082-fb5b-46f3-9275-6cb8df7121a2
Also linked to A Whiter Shade of Pale by Procol Harum, A Whiter Shade of Pale (single version) by Procol Harum and
31 4:01–4:08
1
H c58b9283-fc4d-4c40-a8ef-f6594e0d84d8 1 15:57
1
I edce11ba-6fea-4bd3-99e9-8f9e4fea3169
Also linked to A Whiter Shade of Pale by Procol Harum, A Whiter Shade of Pale by Procol Harum and
8 3:48–3:55
1
J 8d7b1262-4dad-4d1a-a8e3-64f90d51b93d
Also linked to A Whiter Shade of Pale by Procol Harum, A Whiter Shade of Pale by Procol Harum and
61 4:00–4:07
1
K ef7da7a0-f049-4ccf-8db5-7969d150ee16
Also linked to A Whiter Shade of Pale by Procol Harum
1 3:07
1
L 2b362303-85a0-465f-8a66-727edf64bfd1
Also linked to A Whiter Shade of Pale by Procol Harum
6 3:51–3:58
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.